Three years prior to Pina's death, she and Tanztheater Wuppertal are trying to trace the phenomenon of their global success. Much of this documentary portrays the revolutionary methods of the greatest German choreographer Pina Bausch: no script, no libretto, no pattern. Everything you see on stage was created in improvisation during rehearsals, during which Pina set no rules, she only asked questions. Every dancer could point the piece in any direction. This is why the film doesn't show only the fragments of finished works, but also images of rehearsals and interviews with the choreographer and her co-travellers.

Three years prior to Pina's death, she and Tanztheater Wuppertal are trying to trace the phenomenon of their global success. Much of this documentary portrays the revolutionary methods of the greatest German choreographer Pina Bausch: no script, no libretto, no pattern. Everything you see on stage was created in improvisation during rehearsals, during which Pina set no rules, she only asked questions. Every dancer could point the piece in any direction. This is why the film doesn't show only the fragments of finished works, but also images of rehearsals and interviews with the choreographer and her co-travellers.

十九世纪，加拿大政府把印第安土著的儿童强制抓进改造学校，接受白人教育。来自印第安马家族的男孩迷恋冰球并表现出众，在加入职业球队后却受到歧视，直到回归故乡后他才重新振作起来。影片力图把原著小说承载的厚重感传达给观众，对白人和土著的冲突刻画生动。

十九世纪，加拿大政府把印第安土著的儿童强制抓进改造学校，接受白人教育。来自印第安马家族的男孩迷恋冰球并表现出众，在加入职业球队后却受到歧视，直到回归故乡后他才重新振作起来。影片力图把原著小说承载的厚重感传达给观众，对白人和土著的冲突刻画生动。

To this day it is considered the primordial cell of modern architecture and design - the Bauhaus. But "Bauhaus" doesn't just mean the cubic white house with flat roof, the steel pipe chair, or the Bauhaus lamp. The Bauhaus was also an educational center which serves as a model even today. World-renowned artists like Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius, and Mies van der Rohe taught there. The film draws a picture of this singular institution of modernism - from revolutionary beginnings after the end of World War I to disintegration and emigration, covering subsequent careers as well as the involvement of some Bauhaus members in national socialist Germany. These episodes are remembered by former Bauhaus students of both sexes, most of them being featured through archival footage. This comprehensive critical account of the artistic and political aims of Bauhaus in a film portrait gives insight into the essence of Bauhaus principles, the conflicts that lead to relocation from Weimar to Dessau, the disbanding of the school during the Nazi era, the construction work in the young state of Israel, and the development of the Bauhaus myth in the USA.

To this day it is considered the primordial cell of modern architecture and design - the Bauhaus. But "Bauhaus" doesn't just mean the cubic white house with flat roof, the steel pipe chair, or the Bauhaus lamp. The Bauhaus was also an educational center which serves as a model even today. World-renowned artists like Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius, and Mies van der Rohe taught there. The film draws a picture of this singular institution of modernism - from revolutionary beginnings after the end of World War I to disintegration and emigration, covering subsequent careers as well as the involvement of some Bauhaus members in national socialist Germany. These episodes are remembered by former Bauhaus students of both sexes, most of them being featured through archival footage. This comprehensive critical account of the artistic and political aims of Bauhaus in a film portrait gives insight into the essence of Bauhaus principles, the conflicts that lead to relocation from Weimar to Dessau, the disbanding of the school during the Nazi era, the construction work in the young state of Israel, and the development of the Bauhaus myth in the USA.

态度无礼，表情凶恶，跛足拄着一根藤棍，永远是牛仔裤运动鞋的便装打扮而不是整洁的白大褂，普林斯顿大学附属医院的格雷戈·豪斯从外表与好医生的形象相差甚远，他甚至竭力避免和病人说话，并认为世人皆不可信，至少病人自己所说的病因都是胡扯。虽然豪斯几乎是个愤世嫉俗的反社会论者，他非传统的思维方式和精准无瑕的职业直觉令他赢得了病人和同僚的一致尊敬。作为一位内科医师，豪斯对解决医学疑难并挽救生命有着无人可比的热情。 　　豪斯的身边有一群年轻出色的医疗专家来帮助他一同诊断各种神秘的病例。神经科医师泰勒·埃瑞克·弗曼医生沉稳老练，但有一段暧昧可疑的过去；家境富裕的罗伯特·蔡斯医生是一个勤奋的重症监护室医生；医术和容貌一样出色阿丽森·卡梅伦医生是免疫学专家。还有豪斯唯一的好友詹姆斯·威尔森医生，这位肿瘤学医师在很多病例中给了豪斯重要的启示。 　　豪斯在普林斯顿医院有一个“天敌”：内科主任兼医院行政主管丽萨·库迪医生。两人似乎天生的意气不合，从未停止过为各种各样的理由而争吵。不过豪斯与丽萨之间也存在着另一种微妙的感觉。 　　由于痛恨病人的愚蠢以及深重的不信任感，豪斯对病患自述的病史决不轻信。为了解决某些神秘的病例，豪斯甚至会带着同事侵入病人的住处，以破案的方式去探寻真正的病因。豪斯会使用各种有争议或者高风险的方式去治疗病人，他的方法也许令人惊疑，但结果从不令人失望。

态度无礼，表情凶恶，跛足拄着一根藤棍，永远是牛仔裤运动鞋的便装打扮而不是整洁的白大褂，普林斯顿大学附属医院的格雷戈·豪斯从外表与好医生的形象相差甚远，他甚至竭力避免和病人说话，并认为世人皆不可信，至少病人自己所说的病因都是胡扯。虽然豪斯几乎是个愤世嫉俗的反社会论者，他非传统的思维方式和精准无瑕的职业直觉令他赢得了病人和同僚的一致尊敬。作为一位内科医师，豪斯对解决医学疑难并挽救生命有着无人可比的热情。 　　豪斯的身边有一群年轻出色的医疗专家来帮助他一同诊断各种神秘的病例。神经科医师泰勒·埃瑞克·弗曼医生沉稳老练，但有一段暧昧可疑的过去；家境富裕的罗伯特·蔡斯医生是一个勤奋的重症监护室医生；医术和容貌一样出色阿丽森·卡梅伦医生是免疫学专家。还有豪斯唯一的好友詹姆斯·威尔森医生，这位肿瘤学医师在很多病例中给了豪斯重要的启示。 　　豪斯在普林斯顿医院有一个“天敌”：内科主任兼医院行政主管丽萨·库迪医生。两人似乎天生的意气不合，从未停止过为各种各样的理由而争吵。不过豪斯与丽萨之间也存在着另一种微妙的感觉。 　　由于痛恨病人的愚蠢以及深重的不信任感，豪斯对病患自述的病史决不轻信。为了解决某些神秘的病例，豪斯甚至会带着同事侵入病人的住处，以破案的方式去探寻真正的病因。豪斯会使用各种有争议或者高风险的方式去治疗病人，他的方法也许令人惊疑，但结果从不令人失望。

Fresh from Chinatown in New York, Harry Young has taken over the illegal import business in the seamy Limehouse district of London, where he cold-bloodedly disposes of rivals and runs a smoky nightclub. He falls for a low-class, white pickpocket, diminishing his pride in the Chinese half of his heritage and sparking the jealousy of the nightclub's moody star performer.

Fresh from Chinatown in New York, Harry Young has taken over the illegal import business in the seamy Limehouse district of London, where he cold-bloodedly disposes of rivals and runs a smoky nightclub. He falls for a low-class, white pickpocket, diminishing his pride in the Chinese half of his heritage and sparking the jealousy of the nightclub's moody star performer.